Festival Program
Kobacker Hall
SPLICE Ensemble performs works by Rosani, Seaback, Herriott, Royaee, Cunningham, and Silva.
Moore Musical Arts Center Room 0108
This workshop will teach participants the basics of motor control for the purposes of creating kinetic sound art and music. Topics covered will include an introduction to DC motors and solenoids as well as how to control these motors using the Arduino microcontroller platform and a computer.
Moore Musical Arts Center Room 0108
IRCAM, the Paris-based electronic music research center, offers several free applications that are extremely useful for composers: OpenMusic (computer-assisted composition) and Orchids (computer-assisted orchestration). This hands-on workshop will introduce both and offer a beginners tutorial in their use.
Bryan Recital Hall
A series of 20-minute talks by festival participants
PS4 Quartet No.1 for Electronic Music Ensemble - Joo Won Park
A suggested methodology for composing & performing Live Electronics - Ioannis Andriotis
Roger Reynolds’s “Sketchbook for The Unbearable Lightness of Being - Liz Pearse
Collaborative Composition Through Technology in "Scan Site 1" - Alex Christie
Audial Canvas - Lara Mitofsky Neuss
Bryan Recital Hall
Works by Shen, Hsu, Bacon, Park, Trebacz, Coulter, Borcherding, and Sears.
Moore Musical Arts Center Room 0108
Participants will learn the basics of synthesizing and manipulating audio in the web browser using Tone and p5, Javascript libraries for HTML5 audio. No previous JavaScript or coding experience required.
Bryan Recital Hall
Come enjoy an interactive workshop on the world of electroacoustic harps. We'll cover the electroacoustic instruments on the market, cheap strategies for converting acoustic harps into electroacoustic instruments, and the practical information useful to composers when writing for electroacoustic harp.
Bryan Recital Hall
A series of 20-minute talks by festival participants
3 Criteria For Success When Working with New Instruments for Musical Expression - Carter Rice
Sampling vanishing American aural traditions - Alexis Bacon
On the Relationship between Music Theory and Experimental Electronic Music - Andrew Selle
Conjuring up imagined communities with live electronics - Silvia Rosani
A Structure for Interactive Works - Christopher Biggs