Concert 5
Kobacker Hall
SPLICE Ensemble performs works by Rosani, Seaback, Herriott, Royaee, Cunningham, and Silva.
Kobacker Hall
SPLICE Ensemble performs works by Rosani, Seaback, Herriott, Royaee, Cunningham, and Silva.
Moore Musical Arts Center Room 0108
This workshop will teach participants the basics of motor control for the purposes of creating kinetic sound art and music. Topics covered will include an introduction to DC motors and solenoids as well as how to control these motors using the Arduino microcontroller platform and a computer.
Moore Musical Arts Center Room 0108
IRCAM, the Paris-based electronic music research center, offers several free applications that are extremely useful for composers: OpenMusic (computer-assisted composition) and Orchids (computer-assisted orchestration). This hands-on workshop will introduce both and offer a beginners tutorial in their use.
Bryan Recital Hall
PS4 Quartet No.1 for Electronic Music Ensemble - Joo Won Park
A suggested methodology for composing & performing Live Electronics - Ioannis Andriotis
Roger Reynolds’s “Sketchbook for The Unbearable Lightness of Being - Liz Pearse
Collaborative Composition Through Technology in "Scan Site 1" - Alex Christie
Audial Canvas - Lara Mitofsky Neuss
Bryan Recital Hall
Works by Shen, Hsu, Bacon, Park, Trebacz, Coulter, Borcherding, and Sears.
Kobacker Hall
Works by Biggs, Lagergren, Smith, Reynolds, and McClure.
Moore Musical Arts Center Room 0108
Participants will learn the basics of synthesizing and manipulating audio in the web browser using Tone and p5, Javascript libraries for HTML5 audio. No previous JavaScript or coding experience required.
Bryan Recital Hall
Come enjoy an interactive workshop on the world of electroacoustic harps. We'll cover the electroacoustic instruments on the market, cheap strategies for converting acoustic harps into electroacoustic instruments, and the practical information useful to composers when writing for electroacoustic harp.
Bryan Recital Hall
3 Criteria For Success When Working with New Instruments for Musical Expression - Carter Rice
Sampling vanishing American aural traditions - Alexis Bacon
On the Relationship between Music Theory and Experimental Electronic Music - Andrew Selle
Conjuring up imagined communities with live electronics - Silvia Rosani
A Structure for Interactive Works - Christopher Biggs
Bryan Recital Hall
Works by Williams, Brandon, Smith, Andriotis, and Martin.
Clazel Theatre
Works by Kemper, Christie/Cooper, Kenty, Sullivan, Johnson, Lyon, Thomas, & Zanter.
Featuring works by Joshua Clausen, Ashlin Hunter, Stephen Hennessey, Gabriel Bolaños, Douglas Osmun, Bahar Royaee, and Kramer Elwell performed by Robin Meiksins, Von Hansen, Dana Jessen, Joshua Hart, and the SPLICE Ensemble
Featuring works by Anthony Braxton, Adam Vidiksis, Jacob Sandridge, Andrew Whisenand, José Martínez, Scott Blasco, and Michael Flynn performed by SPLICE Improvisation Ensembles, Gavin Goodwin, Stephen Marotto, Noa Even, and Grant Blaschka
Featuring works by Aaron Hynds, Christopher Biggs, Lydia Dempsey, Carlos Cotallo Solares, Ruby Fulton, Izzi Stevenson, and Adam Vidiksis performed by Lucy Yao, Julia Brooks, Justin Ortez, Niel Qiang, Ed Cunneen, Emily Mehigh, and Evan Leffert
Featuring works by Pauline Oliveros, J. Andrew Smith, Martin Galvão, Daniel Fawcett, Carolyn Borcherding, and Mike Frengel performed by SPLICE Improvisation Ensembles, Drew Whiting, Will Yager, Chi Him Chik, and Lara Mitofsky Neuss.
Featuring works by Alex Christie, Elise Roy, John Cage, SPLICE Ensemble, Valeria Jonard, and Igor C. Silva
Featuring works by Elainie Lillios, Christopher Biggs and Samuel Wells, Adam Vidiksis, Heather Stebbins, Judith Shatin, and Tristan Perich
Featuring performances by the Sam Pluta, SPLICE Ensemble, Drew Whiting, Negar Afazel, Jonathan Gardner, Dana Jessen, and Keith Kirchoff
Featuring works by Olga Neuwirth, Keith Kirchoff, Dan VanHassel, Ann Cleare, Paula Matthusen, and Per Bloland
Featuring works by George Lewis, Peter Swendsen, Sam Pluta, and Paula Matthusen