Workshop 4: Controlling DC Motors and Solenoids for Kinetic Sound Art and Music by Steven Kemper
Nov
10
4:30 PM16:30

Workshop 4: Controlling DC Motors and Solenoids for Kinetic Sound Art and Music by Steven Kemper

  • Moore Musical Arts Center Room 0108 (map)
  • Google Calendar ICS

Moore Musical Arts Center Room 0108

This workshop will teach participants the basics of motor control for the purposes of creating kinetic sound art and music. Topics covered will include an introduction to DC motors and solenoids as well as how to control these motors using the Arduino microcontroller platform and a computer.

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Workshop 3: The IRCAM Forum: An Introduction to its Free Offerings by Per Bloland
Nov
10
3:30 PM15:30

Workshop 3: The IRCAM Forum: An Introduction to its Free Offerings by Per Bloland

  • Moore Musical Arts Center Room 0108 (map)
  • Google Calendar ICS

Moore Musical Arts Center Room 0108

IRCAM, the Paris-based electronic music research center, offers several free applications that are extremely useful for composers: OpenMusic (computer-assisted composition) and Orchids (computer-assisted orchestration). This hands-on workshop will introduce both and offer a beginners tutorial in their use.

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Nov
10
1:30 PM13:30

Talks 2

Bryan Recital Hall

A series of 20-minute talks by festival participants

PS4 Quartet No.1 for Electronic Music Ensemble - Joo Won Park

A suggested methodology for composing & performing Live Electronics - Ioannis Andriotis

Roger Reynolds’s “Sketchbook for The Unbearable Lightness of Being - Liz Pearse

Collaborative Composition Through Technology in "Scan Site 1" - Alex Christie

Audial Canvas - Lara Mitofsky Neuss

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Workshop 1: Electroacoustic Harp by Jennifer Ellis
Nov
9
3:30 PM15:30

Workshop 1: Electroacoustic Harp by Jennifer Ellis

Bryan Recital Hall

Come enjoy an interactive workshop on the world of electroacoustic harps.  We'll cover the electroacoustic instruments on the market, cheap strategies for converting acoustic harps into electroacoustic instruments, and the practical information useful to composers when writing for electroacoustic harp.

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Nov
9
1:30 PM13:30

Talks 1

Bryan Recital Hall

A series of 20-minute talks by festival participants

3 Criteria For Success When Working with New Instruments for Musical Expression - Carter Rice

Sampling vanishing American aural traditions - Alexis Bacon

On the Relationship between Music Theory and Experimental Electronic Music - Andrew Selle

Conjuring up imagined communities with live electronics - Silvia Rosani
A Structure for Interactive Works - Christopher Biggs

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